Researching Constellations of Power, Technology and Affect in Contemporary Culture
How do technological objects, artificial and linguistic structures shape human perception, emotion and interaction? What is at stake when engaging in literary and cultural analysis today? In what ways is criticism a creative practice? My work responds to these questions by pursuing research in Contemporary Thought, Cultural Studies, Literature and Media Studies.
Open Call: Genealogy of the Posthuman
Lecturer in Cultural Studies & Media, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney
Honorary Research Associate at the School of English, Communication and Philosophy, Cardiff University
Co-Editor of the Genealogy of the Posthuman on criticalposthumanism.net
PhD from the Centre for Critical and Cultural Theory, Cardiff University (2013)
Quick Links
Exerpt of Prometheanism in 3:AM Magazine
Most Recent Publications (Academic)
'Writing to Spare One's Blushes: Jean-Jacques Rousseau's Confessions and the Automation of Confidence', in Shame and Modern Writing, ed. Julie Walsh and Barry Sheils (Routledge, 2018)
Credo Credit Crisis: Speculations on Faith and Money, ed. by Laurent Milesi, Christopher John Müller and Aidan Tynan (Rowman & Littlefield, 2017)
Creative Critical Writing
Pure Commodity (Fetish), postscript in art book Bastards, by Aljosha Lanz (popuppress, 2018)
New Translations (Open Access)
Christian Dries, The Life of Günther Anders and Horst Holzer, Communication & Society (Chapters 1, 2 and 5 from Theorie des Fernsehens) in tripleC: Communication, Capitalism & Critique.