Researching Constellations of Power, Technology and Affect in Contemporary Culture
How do technological objects, artificial and linguistic structures shape human perception, emotion and interaction? What is at stake when engaging in literary and cultural analysis today? In what ways is criticism a creative practice? My work responds to these questions by pursuing research in Contemporary Thought, Cultural Studies, Literature and Media Studies.
Open Call: Genealogy of the Posthuman
Lecturer in Cultural Studies & Media, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney
Honorary Research Associate at the School of English, Communication and Philosophy, Cardiff University
PhD from the Centre for Critical and Cultural Theory, Cardiff University (2013)
Exerpt of Prometheanism in 3:AM Magazine
Utopia Inverted: Günther Anders, Technology and the Social, special issue of Thesis Eleven
Most Recent Publication (Academic)
Hollywood, Exile, and New Types of Pictures: Günther Anders’s 1941 California Diary “Washing the Corpses of History”, Modernism/modernity (2021) (Open Access)
Creative Critical Writing
Pure Commodity (Fetish), postscript in art book Bastards, by Aljosha Lanz (popuppress, 2018)
New Translations (Open Access)
Günther Anders: Washing the Corpses of History: The Hollywood Costume Palace (a 1941 Exile Diary), Language and End Time; Christian Dries, The Life of Günther Anders and Horst Holzer, Communication & Society (Chapters 1, 2 and 5 from Theorie des Fernsehens) in tripleC: Communication, Capitalism & Critique.